What the writer’s strike means for your business

With the writer’s guild on strike you may have noticed that your favorite shows aren’t visiting your home as regularly as before. You may have also noticed the massive influx of reality and gameshow programming that has now taken its place. Although this may ruin your Thursday night, it could mean an edge for you getting your spot on the air.

As networks are clammering to fill their airtime, an opportunity for infomercial, commercial and news-related programming emerges. This could be your opportunity. Airtime needs to be filled and cable stations across the country are much more willing to make a deal. With a strong product and infomercial, you may even get your airtime for free, just by offering a percentage of sales made directly from the infomercial.

Well-written news-worthy short spots have also begun filling these newly empty spots. Isn’t it time you put your videos to work for you? Recut your commercials into an infomercial and expand your marketing breadth. Or if you haven’t put together your video advertising strategy, contact us anytime for help. inspire@diacreative.com

Video for Mom and Pop Shops

It’s often been said that the internet is the ultimate leveler. Big companies are vying for sales against small companies. A brilliant invention no longer needs to shopped to the larger retailer, Joe Inventor can just set up shop on the internet and if the product is great enough people will hear about it. But where do these businesses stand with the coming of the video revolution?
Everyone here at Dia Creative feels for the little guy, the mom and pop shop, the small business. That’s why we’ve started a new program, aimed at Small Business America. We want everyone that’s trying to grow to get the same quality video as the big guys, to keep the same edge in the marketplace. That is why we have our budget-ready policy in place. Whatever you video dreams you have, we always make it fit in your budget one way or another.

But now we feel we should step it up a notch. So, NOW, any small business that comes to Dia Creative for their video production will get a discount on services based on the number of employees they have or their gross annual sales. The smaller you are, the more you save, and you still get the highest quality production Dia Creative offers all its customers.

Moving Forward by embracing something old

Dia Creative recently brought in another very exciting client. One that has been around since the beginning of television and still can fill arena’s and consistently outsells other pay-per-view competitors.
Although all our editors have extensive knowledge of Final Cut Pro and Avid, we had to bring a whole new system to our knowledgebase to cater to their needs… NewsEdit by GrassValley. NewsEdit has been the staple for the majority of news stations around the country for years. And NewsEdit has been a welcome asset to this client considering the majority of their programming is done live, like the news, and needs to be turned around fairly quickly.

Newsedit is much like a stripped down form of Avid, it’s much faster and much more simplistic. But it still took some getting used to, and quite a bit of logic altering. The logic of Newsedit is much more like that of a linear system than that of a hardcore non-linear system like Avid or FCP. But it did have it’s advantages as well and with a little practice, we are officially now adding it to our list of systems that we can send our editors to work on.
So, Dia Creative now offers non-linear editors for the following systems: FCP, Avid, and GrassValley NewsEdit

Innovative Crewgathering

There are some talented camera, lighting and audio people out there and then there are some that have strong connections or great talking skills. And more than once, I’ve seen strong, professional shoots that turned into complete disappointments or huge headaches in the editing room. Footage destroyed because the tapes and camera were held too close to a large magnet or shots that almost always include another cameraperson and more.

More importantly, however, a cameraperson may have years of experience and may be able to deliver crisp clear footage, but only in a controlled setting. Sometimes the best cameraman for Larry King Live may not be the best cameraman for Girls Gone Wild!

For that reason, we worked out some innovative ways to really test our industry’s standard methods of hiring. Our crew is partially found from strong recommendations from trusted individuals, but that doesn’t guarantee that we consider the newest, hottest talent. And that’s just what a strong camera, lighting or audio person is…talent. Talent just like an actor is called talent. And that’s when we figured it out. We would have our camera and audio crew “audition” just as actors have to. We’ll put them in a typical yet stressful shoot and see who comes out with the best footage and overall impression of the shooting event. If the footage is used, camera talent is compensated as if they were hired in the first place. If not, then they tried their best and we’ll give them another chance when they develop their skills further. And that’s exactly what we did when we held the test shoot for a new show Club Culture 360.
Putting together a strong crew takes more than just finding talented people, it also takes finding people that can work well together professionally. This audition also gave us a chance to see who worked well together and who faltered. All-in-all, some cameramen didn’t like the concept. But those that participated and succeeded were rewarded with more paid camera jobs, a signed stint on a world tour and more importantly a definite relationship with production company.

How to Write a Corporate Script

There are a large variety of types of scripts out there, but they all involve one major component—making a strong impression on your audience. In cinematic writing, an intimate connection with your audience signals the difference between a movie that moves people and one that moves people right out of their seats. In corporate writing, it could mean the difference between losing a sale and creating a long-term relationship with a happy customer. The key difference in corporate writing is getting your sales message across and making it memorable. So, what should you focus on when writing to make your message stick? Here is what you should keep in mind:

 

+ Keep It Short and Sweet. The average person’s attention span is getting shorter and shorter every year, thanks primarily to quicker Internet speeds and faster-paced MTV-style editing. One Page of Double-Space 12 point font is usually One Minute of airtime.

-TV commercials are 30 seconds long, but they are focused at the masses to grab attention.

-If you have a more focused audience they could last up to 7 minutes.

 

+Make Your Message Clear. It’s a good idea before starting your script to pick the three or four key messages you want your viewers to get from your presentation. Write these down first, and keep them close when writing.

-State your Main Messages 3 times each. Studies have shown that a message needs to be repeated at least 3 times to be retained for more than an hour in the brain. Despite what you’d like, your customers may not all buy right away. But if they remember that you have a money-back guarantee and 24/7 friendly support tomorrow, they might stop by again to place their order.

 

+Test Your Script. This is actually a two-part tip. You should test your script in two ways.

-1. Read it aloud to yourself. It may be a little counter-intuitive but there is a big difference between the written word and the spoken word. For example, Try reading Our Luxurious loafers will linger with you, or less obvious phrases like “red leather” and “judicial” can make a person sound strange if they aren’t articulated perfectly. And unfortunately, viewers will remember your slurring mascot more than your amazing product.

-2. Read it to others. Another interesting thing happens when you are writing and rewriting a script on your own…It starts to make sense to you even when it doesn’t really make sense. Fancy wording and interesting snippets may make you think you’ve gotten your point across, but it may not translate properly to others. I recommend testing it one two different people, one that is very familiar to your industry and one that is not. After reading it aloud to them, ask them to summarize it back to you. Try not to influence them or ask them leading questions that might affect their answers. You want to make sure that what they really got out of your script is what you were trying to get across.

 

That’s it! Best of luck! If you don’t want to deal with the complication of writing, Dia Creative offers a full staff of professional writers to help you. As always, if you have any questions contact us at anytime at inspire@diacreative.com

Sponsored by:
Mesothelioma Treatment.
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